Thursday, October 8, 2009

JJD Sample Sale Time!



You won't want to miss out. Our once a year event, the JJD Sample Sale, will be held at the Nassau Inn in Princeton, NJ on Tuesday and Wednesday of next week.

Oct 13 + 14, from 12-4 pm

New items, one-of-a-kinds, and affordable sterling silver pieces. Fantastic pieces at fantastic prices!

Thursday, September 10, 2009

Party in Las Vegas



Picture from the August issue of National Jeweler...a photo from the Facebook party at Taj, courtesy of Ron Samuelson, Michael Schechter and InStore/InDesign. A whole lotta fun...

Pictured: Krista Collins, myself, Claudia Kretchmer

Sunday, August 2, 2009

InDesign Magazine...The Quattro in Tsavorite Garnet and Diamond



Love the green of these tsavorite garnets. Many thanks to Lorraine Wohl and Team InDesign!

Sunday, May 24, 2009

New Designs, just in time for Couture '09!



We just completed new work to feature at the Couture Show. Our line continues to evolve and I'm thrilled to present our latest pieces!

As I've said numerous times when people have asked me why I do what I do..."Well, some people just have to make things." I love the fact that these are the things I get to make!

How do you like them?

Saturday, May 9, 2009

Colorful and Color Feel



Last week I spent 4 hours sorting through colored stones for a series of designs. I heard myself saying over and over, "No, not that yellow sapphire, it has a green undertone. I need one with a warm undertone to go with the orange center stone." Or, "the tourmaline needs to have a blue-green reflection, not purely green." Or, "that purple stone is too close to the red, it blends too much. I need a purple with more contrast, with more blue in it."

This is the beauty of working with a myriad of gemstones. We really can paint with them. Warm colors (reds and oranges) come forward and cools (blues and greens) recede. The undertones of a given color can either be warm or cool and can push the color in one direction or another. So a blue can have either a red undertone, making it warm, or a green undertone, making it cooler. Often it is the contrast of warm and cool or the saturation levels of colors which create a more visually intriguing piece. The eye spends time weighing the intensity and capturing the nuances of the variety of tones. This visual intrigue is my goal.

Different Color combinations have different emotional undercurrents. A ruby, orange sapphire, yellow sapphire combination seems intense and fiery, attention-grabbing and yet, sunny. A blue-green tourmaline with bright green tourmaline seems to capture the serenity of the sea. For me, tanzanite and sapphire suggest gathering clouds before a storm. The combination of aquamarine and peridot has something of the freshness of spring about it.

What do your favorite color combinations suggest for you?

Saturday, April 18, 2009

Tapping Into It


Why do we tap our feet, snap our fingers or clap our hands when we listen to music? We feel the beat and are often compelled to be part of the experience. The sound of the song - notes, rhythm, vibration and pattern, organize emotional experience. The music gives us emotional cues and tells us a story.

When we tap our feet, we are recognizing the rhythm of a piece of music. Rhythm creates pattern. And, though repetition can bore us, patterns with contrast intrigue the eye, ear and mind as we search for underlying meaning. Pattern organizes our experience and generates interest.

Visual rhythm is part of every design with strong emotional resonance. I believe that strong design stays with you like music that haunts you. As in a musical composition, we designers are trying to evoke certain feelings. I created the Mandala pattern thinking about a window from the St. Mark's Cathedral in Venice. But I refined the curves of the design, creating more visual interplay between the straight lines and the arcs.

While designing the Mandala, I thought about the experience of watching a pinwheel, a windmill or one of the original film making machines - a kinetoscope. I was thinking about how centrifugal forces appear to make things spin out of control, but strong centers can hold them together.

The Mandala has become both a focus and an element in many of our designs. The Buddhist spiritual idea of a Mandala, as an object of contemplation that calms the soul and generates insight, appealed to me as I worked on the design, (thus the name). For me, the Mandala is a symbol of controlled creative energy – a fitting symbol for our company.

Thursday, April 9, 2009

New Designs I Can't Wait to Make




I've been madly scribbling down ideas for about a month now and am getting ready to put some new work into production. Here's a composite image of some of the sketches.

I am continuing to explore the JJD Mandala design in different contexts -- hoops, a brooch. And I have a new "Fleur" stained glass window concept to try out.

I will post the finished pieces when they are done. Happy Spring!